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Post by WeirdRaptor on May 25, 2020 21:35:40 GMT -6
I have no problem with free verse, but it’s not the be all and end all, and I like form, rhyme, alliteration, etc. It gives a poet a clearer structure on which to hang his ideas, for one thing. Here, by the way, is an example of a poem I wrote that a different poetry prof hated (I wasn’t in her class for poetry, but she was a published free verse poet and encouraged us to try our hands). It’s not anything great, but I think the summery mood’s decent. I reworked this poem and ended up changing a few things… @equality72521, at Sakaar, dislikes it, to say the least—but I’m proud of it, even though I know it can still be improved. I don't know why, but your reworked version makes me picture a pair of kids pretending to be pirates on the beach. It just kind of has that childlike adventurous feel to it.
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Post by Salzmark on May 25, 2020 21:48:13 GMT -6
I reworked this poem and ended up changing a few things… @equality72521, at Sakaar, dislikes it, to say the least—but I’m proud of it, even though I know it can still be improved. I don't know why, but your reworked version makes me picture a pair of kids pretending to be pirates on the beach. It just kind of has that childlike adventurous feel to it. The Blackbeard line, maybe? In a way, that’s my point: the sea gives us escape from the weariness of the quotidian, but that escape is more truly “real” than the daily grind. (To paraphrase Tolkien, the people who most hate escape are jailers.) Did you prefer one version to the other, by any chance?
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Post by WeirdRaptor on May 25, 2020 21:52:15 GMT -6
I don't know why, but your reworked version makes me picture a pair of kids pretending to be pirates on the beach. It just kind of has that childlike adventurous feel to it. The Blackbeard line, maybe? In a way, that’s my point: the sea gives us escape from the weariness of the quotidian, but that escape is more truly “real” than the daily grind. (To paraphrase Tolkien, the people who most hate escape are jailers.) Did you prefer one version to the other, by any chance? The rework. There's just something more fun about it. They're both good, but the original has this element of uncertainty that many will likely enjoy, but I really liked the "HECK YEAH!" tone of the rework.
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Post by Salzmark on May 26, 2020 6:57:06 GMT -6
The Blackbeard line, maybe? In a way, that’s my point: the sea gives us escape from the weariness of the quotidian, but that escape is more truly “real” than the daily grind. (To paraphrase Tolkien, the people who most hate escape are jailers.) Did you prefer one version to the other, by any chance? The rework. There's just something more fun about it. They're both good, but the original has this element of uncertainty that many will likely enjoy, but I really liked the "HECK YEAH!" tone of the rework. Thanks.
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Post by Salzmark on Jul 13, 2020 14:20:31 GMT -6
Second door.
Line: “To thine own self be true,” William Shakespeare, Hamlet.
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Post by WeirdRaptor on Jul 13, 2020 14:25:17 GMT -6
Second door. Line: “To thine own self be true,” William Shakespeare, Hamlet. lol Okay, that is perfection in the form of a few lines right there. Definitely encapsulates the kind of person who'd listen to Polonius's advice.
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Post by Salzmark on Aug 25, 2020 9:34:38 GMT -6
Took out “to have made the Bard Polonius” in the poem above; “to have never read Hamlet” is a much better point to end on.
Third door.
Line: “So we beat on, boats against the current…,” F. Scott Fitzgerald, The Great Gatsby.
So we beat on, boats against the current, Currently striving for lost year again, Again with a smile from a passerby, Bypassing angst to enter where we wish, Wishing for the sun and not the lightbulb, Bulb of flower in a newborn garden, Gardener fearlessly calling hello. Hello, garden, and theater, park, and love— Love what you’ve done with the place! Placing down (o Lord!) what this year did sow, So we beat on, boats against the current.
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Post by WeirdRaptor on Aug 25, 2020 10:48:43 GMT -6
I liked the clever use of "passerby" and "bypassing". The whole poem is good, but that's the part of the rhyme that stuck out the most.
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Post by Salzmark on Nov 13, 2020 12:24:57 GMT -6
OK, fourth door. Taking my line from Moby Dick: “Whenever it is a damp, drizzly November in my soul.” It’s really only a couplet, but I think any longer wouldn’t work. (As usual, I’m unsure on the title, though.)
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Post by Salzmark on Nov 16, 2020 10:47:45 GMT -6
OK, fourth door. Taking my line from Moby Dick: “Whenever it is a damp, drizzly November in my soul.” It’s really only a couplet, but I think any longer wouldn’t work. (As usual, I’m unsure on the title, though.) Based on some insightful comments at the r/poetrycritics subreddit, I’m reformatting the couplet in this way. It doesn’t quite fit the door-thing, but I think it works better now.
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Post by Salzmark on Jan 6, 2021 10:37:18 GMT -6
“The Kind of Poem that Does Well on Reddit,” a.k.a. “Drivel”
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Post by Salzmark on Jan 10, 2021 21:15:03 GMT -6
“The Kind of Poem that Does Well on Reddit,” a.k.a. “Drivel” Oh my God. I just submitted this to r/shittypoetry, which is for intentionally terrible poems, and someone took it seriously. At least I think they did; if their comment wasn’t serious, it fooled me!
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Post by WeirdRaptor on Jan 10, 2021 21:22:25 GMT -6
“The Kind of Poem that Does Well on Reddit,” a.k.a. “Drivel” Oh my God. I just submitted this to r/shittypoetry, which is for intentionally terrible poems, and someone took it seriously. At least I think they did; if their comment wasn’t serious, it fooled me! What did they say?
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Post by Salzmark on Jan 10, 2021 21:33:47 GMT -6
Oh my God. I just submitted this to r/shittypoetry, which is for intentionally terrible poems, and someone took it seriously. At least I think they did; if their comment wasn’t serious, it fooled me! What did they say? I changed vase to hourglass to fit the pretentiousness.
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Post by WeirdRaptor on Jan 10, 2021 21:35:09 GMT -6
Ooh... This is a tricky one. This is either totally serious, or a great troll post. I wish I knew which way to lean.
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